Madonna has a "message" for DaBaby following his homophobic comments about HIV.
The "Papa Don't Preach" singer, 62, slammed the misinformation that DaBaby spread about the AIDS and LGBTQ community on stage and during his performance at Rolling Loud earlier this week. DaBaby, 29, has since apologized for his "insensitive" rant.
"If you're going to make hateful remarks to the LGBTQ+ community about HIV/AIDS then know your facts," Madonna wrote alongside a video of DaBaby's comments.
She continued, "After decades of hard won scientific research— there are life saving medicines available to children born with HIV, to people who contract HIV through blood transfusions, dirty needles or exchange of bodily fluids. These new ARV's can keep a person with AIDS alive for the rest of their lives!!! AIDS is not transmitted by standing next to someone in a crowd."
"I want to put my cellphone lighter up and pray for your ignorance, No one dies of AIDS in 2 or 3 weeks anymore. Thank God 🙏" she added.
Madonna also addressed DaBaby's "sexist remarks about ladies [whose] p------ need to smell like water" during his speech, writing that those comments "only encourage more discrimination against women who fight daily against the oppression of living under the constraints of the Male Gaze."
"People like you are the reason we are still living in a world divided by fear," she concluded. "All Human beings should be treated with dignity and respect regardless of race, gender, sexual preference or religious beliefs. AMEN."
Rosie O'Donnell's Oscars moment was one for the books.
The actress and comedian appeared on this week's episode of PEOPLE in the '90s podcast where she recalled attending Oscar parties with Madonna before their 1992 movie A League of Their Own came out.
"I would get out of her car with her, a limo, and everyone's going Madonna! Kathy Bates! Madonna! Kathy Bates!" O'Donnell, 59, said, remembering how people confused her for that year's Best Actress winner, Kathy Bates.
"We went to Spago and I sat next to Dennis Hopper," O'Donnell said. "And at the table was Jackie Collins' sister."
She continued, "Well, Dennis Hopper leaned over and said, 'I had sex with two women at this table. Start your guessing.' Oh my God, it happened that night. It was so wild."
Madame X is ready for her close up.
A concert documentary filmed last year during the European leg of Madonna’s Madame X Tour is coming to Paramount+.
Directed by Ricardo Gomes and SKNX, MADAME X will exclusively stream on Paramount+ from Friday, Oct. 8 for subscribers in North America, Latin America, Australia, and the Nordics. Fans outside of those territories can tune in on MTV.
“Sharing my vision with global audiences has been profoundly meaningful to me,” the Queen of Pop said in a statement issued early Thursday (July 15).
"The opportunity to bring its message and the incandescent artistry of all involved to an even wider audience comes at a time when music is so deeply needed to remind us of the sacred bond of our shared humanity."
Created by MTV Entertainment Studios, the doc captures all the highlights from Madonna’s January 2020 stop in Lisbon, part of a trans-Atlantic Madame X jaunt in support of her Billboard 200 chart leader of the same time.
Madonna has a strong connection with the capital of Portugal. She moved there for her son’s soccer aspirations, and was inspired by the music she was exposed to there: Fado, morna, salsa and more.
“Madonna is undoubtedly the world’s biggest superstar, never ceasing to push boundaries and shape the pop culture landscape,” said Bruce Gillmer, chief content officer, Music, Paramount+ and President of Music, Music Talent, Programming & Events, ViacomCBS.
The pop veteran and MTV together “have an incredibly storied history and we are thrilled to continue to amplify our partnership globally,” he continued.
The seven-time Grammy Award-winner sent her followers into a frenzy last week when she teased the doc and revealed it would arrive this October on Paramount+.
Madonna condemned Britney Spears’ conservatorship in a fiery new statement.
Madonna has voiced her support for Britney Spears amid her conservatorship battle. The “Like a Prayer” singer, 62, shared an Instagram Story on July 8 and lambasted the legal arrangement, calling it a “violation of human rights.” Madonna shared the message against the backdrop of a throwback photo of herself in a bedazzled Britney t-shirt and pink fuzzy boa.
“Give this woman her life back. Slavery was abolished so long ago! Death to the greedy patriarchy that has been doing this to women for centuries.” The singer added, “This is a violation of human rights! Britney we coming to get you out of jail!”
The support is mutual: the duo shared an infamous moment with fellow pop star Christina Aguilera in the early aughts. On stage at the 2003 MTV Video Music Awards, the trio shared a passionate kiss during a performance. In an interview with Harper’s Bazaar in 2011, Britney looked back at the moment and gushed about the star. “I actually saw [Madonna] a couple of weeks ago at a party,” she said. “I guess she’s really taught me to stay true to myself. That seems like a simple thing to say, but she taught me through action, not just by saying it. There are so many people around you that have opinions, but you just have to listen to your instincts.”
Madonna’s comments come after Britney addressed a judge for the first time in June, pleading to be freed from the 13-year conservatorship and calling the arrangement “abusive.” The pop star delivered a harrowing testimony about how the conservatorship has stripped her of all autonomy. Britney also called for the removal of her father Jamie as co-conservator, but he still remains in the role. Meanwhile, Bessemer Trust, the financial firm that splits conservator duties with Jamie, has filed documents to resign from the conservatorship, citing Britney’s latest court testimonial. Per NPR, the next court hearing for the conservatorship will be July 14; it will center on Bessemer Trust’s request to withdraw from the conservatorship.
Madonna joins a chorus of other celebrities who have rallied behind Britney. Mariah Carey, Brandy, Justin Timberlake, and Miley Cyrus have also expressed their support.
From Hollywood Life
At only 27 years old, Madonna released one of the world’s biggest-selling albums of 1986.
The nine songs on “True Blue,” which celebrates its 35th anniversary June 30, signified her musical maturity, from the somber balladry of “Live to Tell” to the Latin syncopation embedded in “La Isla Bonita.”
Produced by Madonna, Patrick Leonard and Stephen Bray, the album spawned five hit singles and sold more than seven million copies in the U.S. and an estimated 25 million worldwide.
The pressure of following the hit parade of “Lucky Star,” “Like a Virgin,” “Material Girl” and other fizzy dancefloor dazzlers might have daunted some artists as they embarked on their third release. But, true to her nature, Madonna zigged when most would have zagged. Madonna was also creatively inspired by then-husband Sean Penn (she dedicated the album to him), and the album’s first single, “Live to Tell,” landed in his 1986 crime drama, “At Close Range.”
“The music got more serious, so I think she got taken more seriously,” Leonard, who also co-wrote five of the album’s songs, told USA TODAY. “It was different, and to her credit, she took some chances that I don’t know most people would have. There were things in there that weren’t normal in pop music at the time.”
Leonard was 30 at the time “True Blue” was recorded, and previously served as the music director for Madonna’s “The Virgin Tour” in 1985. But their collaboration at a backyard barbecue on “Love Makes the World Go Round,” which would debut later that year at Live Aid before landing on “True Blue,” marked their first songwriting pairing.
Two of the album’s five singles – the string-laden teen pregnancy drama “Papa Don’t Preach” and sweet “True Blue” – were produced by Bray, who also co-wrote “Where’s The Party,” “Jimmy Jimmy” and the title track. Leonard said he and Bray would assist each other, but the two producers primarily “kept to our own little worlds.”
But even with different captains, the songs shared a common throughline.
“There’s a chemical thing that contributes to that ‘thing’ and why those records are what they are,” Leonard said. “They were relatively spontaneous for the most part. As legend has it, most of those vocals are the only time Madonna sang (the songs in the studio) and I can attest to that. It helped that neither she nor I are second guessers. Period.”
To read the rest of the interview visit: usatoday.com