There aren’t that many artists like her. That she has the staying power she has is remarkable in itself. She’s influenced a lot of other artists, especially other fellow female artists and she’s remained culturally relevant. Her whole ability to reinvent herself is pretty impressive. She set an example for a lot of women and fellow artists to take on a persona. This idea of a solo female artist being this massive figure and occupying a stage - a musical stage and a cultural stage - there aren’t a lot of examples like that, besides her, for other female artists. And forget about the fact that she’s a woman – just as an artist, full stop.
She’s taken on so many different personas and artistic scenes and she’s able to still capture audiences. She’s taken all of these different genres of music and dived headlong into whatever she decided, whatever album it is, or whatever creative era she’s in, or [she’s] decided to go in a completely different direction. The only through-line is herself. With musical styles, she’s gone all over the place, but there’s cohesion to it because it’ll coming from her. It doesn’t seem necessarily random - that’s what she’s good at. People don’t expect a particular sound [from her], or even a gradual evolution, from album to album.
I feel some sense of solidarity and stand by her and all the choices she made, even though some of them aren’t that good. She’s allowed to make stuff that’s maybe not the most amazing thing that’s ever been made, but I think the fact that she still continues to be very successful goes to show she can withstand mediocrity.
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