Madonna has described the show in a statement as 'the journey of a soul from darkness to light,' and perhaps it is. Near the beginning, after tolling church bells and chanting, a gun-toting Madonna is besieged by assailants from all directions and dispatches them in self-defense as giant spatters of blood fill the video screen. In that opening segment she sings about jealousy, divorce and, in 'Revolver' - with images of guns and ammunition - about sex as a weapon.
Yet the bad-gal nastiness soon gives way to more generous impulses, trading violent shock value for flamboyant showmanship. By the end she’s sharing a big dance party. And the concert is less a story than an excellent excuse for extravagant, perpetually surprising production numbers involving more than three dozen performers, while it turns some of Madonna’s past hits inside out.
To read the rest of the review visit www.nytimes.com/2012/08/30/arts/music
Thanks to Alex and Daniel