Michelle Visage might have landed in the bottom two in last weekend’s Strictly - but she’s about to give everyone life.
The RuPaul’s Drag Race star is known for being the biggest Madonna fan out there, and now she’s giving us what we’ve all been waiting for - and performing a routine to Vogue. In Blackpool Tower Ballroom no less! We aren’t worthy.
Dancing a Couple’s Choice with Giovanni Pernice, the pair are out to prove that they’re worthy of remaining in the competition after a shock vote saw them land in the bottom against Mike Bushell.
The feisty pair are not going down without a fight, and as they reach the iconic Blackpool spot in the competition, Michelle and Giovanni are going to bring the house down. After all, Vogueing and Ballrooms are staples of drag culture – so you know it’s going to be fierce as hell.
The clear vinyl versions of Madonna's first four albums are now available in the UK, these were spotted in the Covent Garden branch of Fopp. The albums are also available via online sellers such as Amazon.
Thanks to Daniel
Madonna earns her record-extending 49th No. 1 on Billboard's Dance Club Songs chart, as "Crave," with Swae Lee, ascends 2-1 on the Nov. 16-dated list.
The chart, and all rankings dated Nov. 16, will refresh on Billboard.com Tuesday, Nov. 12.
"Crave," which marks Lee's first No. 1 on the ranking, was remixed for clubs by Tracy Young, Benny Benassi and DJLW, among a host of others.
With 49 toppers on Dance Club Songs, which measures reports submitted by a national sample of club DJs and which launched as a national survey in the Billboard issue dated Aug. 28, 1976, Madonna outpaces runner-up Rihanna (33 No. 1s), while Beyoncé and Janet Jackson follow with 22 and 20, respectively.
"Crave" is Madonna's third leader, all this year, from her album Madame X, following "Medellín," with Maluma (June 29), and "I Rise" (Aug. 31). Madonna adds her ninth No. 1 this decade and has earned three each from her last three studio albums, with each triple tallied in a single year. Madonna also scored three No. 1s each from 2015's Rebel Heart ("Living for Love," "Ghosttown" and "B**** I'm Madonna," featuring Nicki Minaj) and 2012's MDNA ("Give Me All Your Luvin'," featuring Nicki Minaj and M.I.A., "Girl Gone Wild" and "Turn Up the Radio").
"Crave" additionally marks Madonna's ninth consecutive Dance Club Songs No. 1, her longest such streak. (Katy Perry holds the record with 18 straight No. 1s in 2009-17.) Twice before, Madonna managed seven straight No. 1s, first with "Causing a Commotion," from the Who's That Girl soundtrack (1987), through "Justify My Love," from her first greatest hits set, The Immaculate Collection (1991), and then with Ray of Light's "Nothing Really Matters" (1999) through Music's "Impressive Instant" (2001). Madonna's current run began with "Luvin' " in 2012.
Fans of Madonna are suing the 'Material Girl' over the increasingly late start times for her Madame X Tour, according to legal documents obtained by TMZ.
Both Madonna and events promoter Live Nation were named in a class-action lawsuit filed by Nate Hollander after the Florida ticketholder claimed he lost money when the pop icon pushed back the start time of her concerts from 8:30 p.m. to 10:30 p.m.
The lawsuit alleges Madonna has had issues with punctuality during her current ongoing tour, routinely making concertgoers wait two hours longer initially scheduled.
Hollander claims he had bought three tickets for $1,024.95 in August for Madonna’s Dec. 17 concert in Miami Beach, which at the time of purchase was slated to start at 8:30 p.m., TMZ reported.
The lawsuit maintains that Hollander’s tickets lost considerable value after the singer delayed the start time of her remaining shows by two hours. Hollander said he'd purchased three tickets for the Tuesday night show, but was denied a refund after she switched her start times to 10:30 p.m.
Hollander, who has since assembled a group of similarly angry Madonna fans for his class-action suit, claimed the start time was too late because most concertgoers have work early the next day, TMZ reports.
Meanwhile, entertainment news website Wonderwall reports that more than 500 refunds were issued following Madonna’s scheduled 10:30 p.m. Thursday night show at the Caesars Palace Colosseum in Las Vegas. She did not come onto the stage until after midnight, and the concert did not end until close to 3 a.m., according to the entertainment news outlet.
The class-action lawsuit is pursuing the 'Like a Virgin' singer for damages.
From Fox Business
Before they costarred in the 1996 film Evita, Madonna had a major crush on Antonio Banderas - and he had no clue.
The actor, 59, spoke about the pop singer’s crush on him during an interview on Sirius XM’s The Jess Cagle Show on Friday while promoting his Pedro Almodovar film Pain and Glory.
'A lot of people in America actually became aware of you when Madonna did her Truth or Dare documentary where she spent a great deal of the movie obsessing over you and how you wouldn’t call her back,' Jess Cagle told Banderas.
The actor nodded and said, 'I had no idea. She called me, and I was finishing the Mambo Kings here in Los Angeles and she called me. I thought someone was playing a joke on me because I picked up the phone and it was Madonna, I couldn’t believe it.'
'She said, ‘Listen, I want to show you this documentary that you’re in.’ I said, ‘What documentary? What’re you talking about?'' Banderas recalled.
The actor said the 'Material Girl' singer offered him the chance to remove the scenes he was in if he was uncomfortable, but ultimately, he was fine with it.
The documentary was released in 1991 and chronicled Madonna’s controversial 1990 'Blond Ambition' international tour, including behind-the-scenes footage of her tour and life.
In one scene, Madonna explains whom Banderas was to an American audience who wasn’t familiar with him at the time.
'Antonio Banderas is this Spanish actor that I’ve had a crush on for two years,' Madonna said in the documentary. 'I’ve seen every movie that Antonio has ever done. I have to say he’s one of the few actors that I was dying to meet.'
When the singer traveled to Madrid to visit Almodovar, one of Banderas’ frequent collaborators, she became visibly excited at the prospect of meeting the actor at a party held in her honor.
'I spent the whole week psyching myself up for this party that I’m going to and I have it all worked out in my head: I’m going to make Antiono fall madly in love with me,' she said. 'Although there’s this one major obstacle that I never really counted on: his wife.'
Banderas was married to Spanish actress Ana Leza at the time. The two divorced in 1996, and that same year he married actress Melanie Griffith after they starred in the comedy Two Much.
The actor and Madonna would eventually work together in the 1996 film Evita, in which Madonna portrayed the first lady of Argentina and Banderas played the revolutionary Che Guevara.
In an interview with Entertainment Weekly‘s Couch Surfing in 2018, Banderas spoke about what it was like working with Madonna on the film.
'Madonna is probably one of the most committed artists I’ve ever worked with,' he said. 'She was totally into this character, it was great working with her.'
After touring arenas and stadiums for much of the last four decades, Madonna is experimenting with a new format for her live shows, playing mini-residencies in theaters around the world.
The Madame X Tour kicked off with a sold-out 16-show run at Brooklyn’s Howard Gilman Opera House (the theater is one of many facilities at BAM, the Brooklyn Academy of Music). Averaging less than 2,000 seats per night, Madonna played to intimate audiences over the span of a month. According to figures reported to Billboard Boxscore, the shows combined to gross $9.6 million and sold 31,401 tickets.
Broken out by month, Madonna’s nine shows in September grossed $5.5 million (17,708 tickets), followed by seven shows from Oct. 1-12 that earned $4.1 million (13,693 tickets). That averages out to $601,985 and 1,963 tickets per show.
Playing such intimate shows means that the extended stay at each venue is necessary in order to capture the wide-ranging audience that Madonna has previously been able to reach in just one or two shows per city. Her last venture in New York was a two-show stint at Madison Square Garden, where she grossed $5.2 million and sold 28,371 tickets on the 2015-16 Rebel Heart Tour. Further, she hit Yankee Stadium on Sept. 6 and 8, 2012, pulling in $12.6 million from 79,775 tickets - more than twice the attendance of her 2019 theater run, playing one-eighth of the shows.
Tickets for the new tour ranged from $757 on the high end to $50. Based on the New York stint’s final figures, the average ticket sold for $306.73 - a sharp increase from her career average of $115.81. For a more comparative look, excluding the 1980s and '90s before ticketing exploded in the new millennium, Madonna averaged $125.46 in the 2000s and $147.33 in the current decade. Averaging as many as 41,000 fans per night on the 2008-09 Sticky & Sweet Tour, Madonna had the flexibility of charging a more reasonable ticket. But with fewer than 2,000 tickets to sell each night in 2019, she’s experimenting with higher prices.
Though reports through Madonna’s 1993 The Girlie Show World Tour remain incomplete, the Queen of Pop has racked up an incredible $1.3 billion gross from 11.5 million tickets over 516 reported shows, making her the second highest-grossing soloist in the history of Billboard Boxscore (she is the highest-grossing female artist, while Bruce Springsteen is No. 1 overall).
The Madame X Tour continues with seven dates in Chicago through Oct. 28, followed by multi-show runs in six additional U.S. cities and three European legs. With about 75 shows to go, smart math projects the tour to wrap in the $50 million-$55 million range. But as many of the upcoming venues are larger than the theater at BAM (Chicago Theatre holds 3,500 and The Colosseum at Caesars Palace tops 4,000 seats), the final gross could stretch past $60 million before its March 8, 2020, close at Paris’ Le Grand Rex.
With the highly specialized visual and production elements, Madonna’s Madame X Tour at The Wiltern in Los Angeles will now begin on Wednesday, November 13. The additional nine performances November 14, 16, 17, 19, 20, 21, 23, 24 and 25 will proceed as scheduled.
Due to scheduling limitations, we are unfortunately unable to reschedule the November 12th date. Patrons who purchased tickets for that performance will be automatically refunded. We apologize for any inconvenience.