Just one day after hanging out with Jonathan Van Ness, Taylor Swift linked up with another member of the Queer Eye cast.
The pop star, 29, was joined by the show’s culinary expert, Antoni Porowski, at Madonna’s final Madame X theater tour show in Brooklyn on Saturday.
Swift documented the fun outing with a selfie of her and Porowski, as well as other friends, on her Instagram Story, praising the 'Like a Prayer' singer for putting on an incredible performance.
'Thank you Madonna for an outstanding show,' she wrote. 'Shout out to the phenomenal dancers, singers, musicians, set designers, crew, wardrobe, glam and M who gave it EVERYTHING.'
The setlist for the show was packed with tracks from Madonna’s latest album, Madame X, but also included classics like 'Human Nature,' 'Vogue' and 'Like a Prayer.'
After multiple gigs at Brooklyn’s BAM Howard Gilman Opera House, the concert series will have a short residency at the Chicago Theatre in Chicago in late October, then another at Los Angeles’ Wiltern Theater in November.
Madonna, Bjork and Star Wars will all feature in a new exhibition on the kimono.
The Victoria & Albert Museum (V&A) is planning its first major exhibition on the 'ultimate symbol of Japan' and a 'constantly evolving icon of fashion'.
Highlights will include the Alexander McQueen dress worn by Bjork on her Homogenic album cover.
It will also feature original Star Wars costumes modelled on the kimono, and the Jean Paul Gaultier ensemble which Madonna wore for her Nothing Really Matters video.
The Star Wars costume, a light brown robe of threadbare cloth, was worn by Sir Alec Guinness as Obi-Wan Kenobi in the 1977 film Star Wars: Episode IV - A New Hope.
More than 315 works will be featured in the exhibition, including kimonos especially made for the show.
Curators said Japan itself is enjoying a resurgence of interest in the garment.
Anna Jackson said: 'From the sophisticated culture of 17th century Kyoto to the creativity of the contemporary catwalk, the kimono is unique in its aesthetic importance and cultural impact, giving it a fascinating place within the story of fashion.'
Rare 17th and 18th century kimonos will be displayed for the first time in the UK, alongside work by a new wave of contemporary designers and stylists.
Paintings, prints, film, dress accessories and other objects will also feature, as well as Oscar-winning costumes from the film Memoirs Of A Geisha.
Kimono: Kyoto To Catwalk runs at the V&A in London from February 29 to June 21 next year.
From PA Entertainment
Madonna herself has published this message about the Monday night show being postponed:
Its Hard for Madame ❌ to admit that she is also a human being made of flesh and blood and she must rest for the next 3 days to insure full recovery for her knee.
I am not a quitter. This hurts me more than you can imagine. Its time to take those heels and fishnets off for a few days! 👠. Thank you for your understanding. ♥️. See you very soon !! #recovery #madamextheatre #nevergiveup #ongod
Its Hard for Madame ❌ to admit that she is also a human being made of flesh and blood and she must rest for the next 3 days to insure full recovery for her knee. I am not a quitter. This hurts me more than you can imagine. Its time to take those... https://t.co/JoicIGgM4k pic.twitter.com/BEOWGUOSMd— Madonna (@Madonna) October 7, 2019
Unfortunately, Madonna’s Madame X concert Monday evening at BAM Howard Gilman Opera House is postponed.
Madonna is currently dealing with a knee injury and has been advised rest for the next three days to assist in her recovery.
Fans are encouraged to hold onto their tickets pending information on rescheduling.
The Madame X concerts this Thursday, October 10th and Saturday, October 12th are expected to proceed as scheduled.
We regret the inconvenience to fans. Thank you for understanding.
With highly specialized production elements, Madonna’s Madame X Tour date originally slated for Tuesday, October 15th at the Chicago Theatre will now be rescheduled to Monday, October 28th becoming the last date in the 7-show run in this city. There is no change to the performances scheduled for October 16, 17, 21, 23, 24 and 27.
Tickets for the October 15th performance will be honored at the October 28th event. Refunds if required will available via the original ticket purchase link accessed either via desktop or mobile.
Also, the show originally slated for Thursday, October 31st at the Golden Gate Theatre in San Francisco will be rescheduled to Tuesday, November 5th. There is no change to the performances scheduled for November 2 and 4.
Patrons who purchased for the originally scheduled October 31st event will receive tickets with the new performance date of Tuesday, November 5th. Fans who are unable to attend the November 5th performance and prefer a refund, please email email@example.com and include your order # or call BroadwaySF at 888 746 1799. We apologize for any inconvenience.
On Thursday night the Madame X Tourbook was finally available to buy, madonnalicious reader Rob sent in pictures of the tourbook and this report from the show.
Hi there-wanted to give you a quick update on tonight's show. It started at 11pm, ended around 01:30. Sighted in one of the box seats: downtown nightlife personality Amanda LePore.
Madonna's 4four kids from Malawi all appeared in the show, including David Banda who made a cameo during Medellin. Show was flawless. Madonna sounded great, all were on point.
There was an emotional moment during the section where she sits down next to an audience member in the front row. Madonna joined Oklahoma native Kevin for a mid-show chat and he opened up to her about how her music meant to so much to the people who died from AIDS and then he opened up about how her music helped him through difficult times. She gave Kevin a big hug and seemed genuinely touched.
The other big news is that this show was the first night that the concert program book was on sale ($40) and it is FANTASTIC. There are pages and pages of beautiful photographs, some cut-out dolls, a set of 4 Madame X postcards in an envelope attached to the inner back page, as well as a full page of credits of the crew on the tour.
Madonna’s ‘Madame X’ residency in New York: a colourful riot of rebellion, politics, and high camp theatrics
The queen of pop's intimate Brooklyn residency is powerful, empowering, stunning - and one of the best gigs of the year
Madonna has always done what she wants. Roll around the VMAs stage in a wedding dress? Of course. Forego a traditional record deal and sign up with a promoter instead? Sure thing. Skip merrily from sound to sound, even when people tell her she’s “too old” to make whatever genre she dabbles in next? Absolutely. So when Madonna decides to not put herself out on a typical tour - a different arena every night, the whole thing done and dusted in a matter of weeks – you go right ahead and book her residencies in different venues across the globe, allowing her to perform for weeks on end, in one location, in rooms far smaller than anyone in 2019 has any legal right to witness her in.
Pop’s most rebellious star does just as she pleases during the first round of the ‘Madame X’ world tour at the plush Howard Gilman Opera House too. You might expect the world’s biggest pop stars to have their audience out the door by 11pm but, by the time the clock strikes that hour in Brooklyn, Madonna’s only just come on stage. Not that anyone minds - there are a few outbursts of impatient claps and cheers in the time leading up to her arrival but the overriding atmosphere in the venue is one of pure excitement as people - in their finest gowns, tuxes, and vintage Madonna merch - sip wine from plastic beakers and hover in the select zones were phone use is allowed (all mobiles are locked in pouches for the entirety of the show).
The late start is immediately worth it. The show is a mind-blowing riot of theatrics and powerful political messaging, opening with a quote from James Baldwin being banged out onto a screen laid over the stage by a silhouetted woman at a typewriter. Each key press thuds like a gunshot and is accompanied by a dancer jerking and flinching as if he’s been hit by a bullet. “Artists are here to disturb the peace” the message ends before the queen of pop emerges and launches straight into the autotune-heavy anti-gun anthem ‘God Control’.
Later, a man wearing a gas mask sits down to play a piano, from the top of which Madonna is dragged by two dancers dressed as truncheon-waving policemen while she screams “Death to the patriarchy!” Women’s rights are a constant theme throughout the show, from the moment she’s joined on stage by a host of women - including daughters Stella, Estere and Mercy James - to chant “I’m not your bitch” to her, changing the lyrics of ‘Papa Don’t Preach’ to “I’m not keeping my baby”.
Read the rest of the review at: www.nme.com/reviews/live/madonna
Interscope Records have put this advert in the current issue of Billboard magazine to remind Grammy voting members that Madonna's Madame X should be 'for your consideration'.
madonnalicious is pleased with the no-phone rule. Previous tours have seen me being focussed on getting pictures for this site, now I can just be selfish and enjoy the show for me! (although I would like to have my phone available to keep occupied while waiting for Madame X to arrive!).
Madame ❌ so appreciates all who came to the theatre and enjoyed the show with their. eyes and ears only——However she is mystified and bewildered that their are others who refuse to honor her wishes and continue to sneak in recording devices or tear... https://t.co/u2c8CYhhbL pic.twitter.com/ZnuoASc4T1— Madonna (@Madonna) September 21, 2019
Madonna has never shied away from taking chances. Thirty years after she set fire to the Eighties with the disco basilica Like a Prayer, she’s as gloriously weird as ever. Hence her excellent new Madame X tour, a testament to the genius in her madness. Instead of a full-blown tour, she’s doing these shows as residencies in intimate venues, starting with 17 nights at the Brooklyn Academy of Music’s Howard Gilman Opera House. The tiny rooms are the perfect place for Our Lady to strut her stuff. Like her Madame X album, the show is messy, but anyone who’s scared of a mess should avoid Ms. Ciccone entirely, because as any fan knows, her weirdness is where she finds her greatness.
The show follows Madonna’s adventures around the globe. “Everybody knows I moved to Lisbon to become a soccer mom,” she said on Thursday night. “I found myself alone, without friends, a little bit bored.” So after too many Sundays at her son’s soccer games, she started going out to Lisbon clubs and flipped for Portugal’s fado rhythms, which got her creative juices flowing again. As she announced, “From now on, I’m Madame X and Madame X loves to dance!”
The show started extremely late - she didn’t go on until nearly 11 p.m., which she kept joking about all night. “Forgive me if I kept you waiting too long this evening,” Madonna purred seductively, stretched out on top of a piano. “I don’t like to keep you waiting. But I have an injury. I have six kids. I have a LOT of wigs.” Then she had a couple of her dancers help her off the piano and improvised a pop melody: “I bet you had more sleep than meeee!” No rest for the wicked, indeed.
It was a cellphone-free show, with the audience’s phones locked into Yondr pouches that got unsealed at the end of the night. (Honestly, all shows should be this way.) Madonna kept mentioning how much she enjoyed looking into the audience and seeing our eyes as opposed to screens. “The eyes are the window of the soul. But there’s one window you’re forgetting.” She opened her legs, to a blast of orchestral music. “Ladies and gentlemen, this is what it’s like to have Mozart coming out of your pussy! I am one classy broad!”
To read the rest of the review visit: www.rollingstone.com/music-live-reviews
The press were finally allowed into the Madame X Tour on Thursday night and we now have the first pictures from the show...it looks amazing staging!
The joy of being a Madonna fan is that she’s a true artist, an incisive creative eye who embeds meaning and shades of emotional grey into her work; the other great thing about being a Madonna fan is that she’s an artist who also happens to be a pop star. So when she has something to say, it’s in the details, yes - but wait long enough and it’ll also be bludgeoned over your head.
“Freedom is the theme of this show,” Madonna told an enthralled, intimate crowd at the Thursday (Sept. 19) night show of her Madame X Tour at the Brooklyn Academy of Music. “And the theme of my life, for that matter.”
She might have explicitly spelled out her mission statement during the show, but when it kicked off just before 11pm ET, she eased into the theme with a characteristically unabashed mixture of high art and high camp. As a silhouetted typist hammered out a James Baldwin quote at a desk, a lithe dancer mimed dodging bullets, eventually succumbing to the barrage. After that, Madonna hit the stage, staring out from beneath a Revolutionary War-style tricorn hat as a battered American flag fluttered via video projection. There probably isn’t a more deliciously kitschy way to introduce a show speaking to what personal freedom - and danger - means to the America-born pop artist.
The first song, Madame X’s lush disco standout “God Control,” turned the focus from national mythology to personal history, demonstrating exactly where Madonna found her freedom - on the sweaty floors of New York City discotheques in the late ‘70s and early ‘80s - and how she sees it, quite literally, under fire (the gunshot-punctuated musical odyssey explicitly nods to the 2016 Pulse massacre).
From there, the Madame X Tour moves on to other freedoms she sees under duress: The freedom to act and the freedom to speak. With regards to the former, “Dark Ballet” found her playing out the persecution of Joan of Arc surrounded by a visually compelling mixture of Christian iconography and pagan pageantry, while a cool jazz take on “Human Nature” fulfilled the latter, allowing her the opportunity to tell off critics projecting their hang-ups on a woman who dares speak of sex without a coquettish blush (while treating the crowd to a spread eagle that would put Veronica and Charlie to shame).
In the midst of an a cappella “Express Yourself,” Madonna brought out three of her children - Stella, Estere and Mercy James - to shimmy with the dancers and read a few quotes of empowerment she’d provided for them. Later in the show, eldest daughter Lourdes arrived for the highlight of the evening, dwarfing even her mother. Well, only literally speaking. While stark, three-story-high footage of Lourdes dancing played on a translucent screen in front of her, Madonna delivered a soul-scraping rendition of her 1998 classic “Frozen.” Seeing the Queen of Pop, illuminated by a pinprick of light, engulfed in her daughter’s dancing was a visually stunning moment in an evening full of them.
Another unexpected setlist choice (well, at least for those who didn’t catch her incendiary Pride Island performance) arrived via “American Life,” the unjustly maligned title track from her 2003 album (which was more a victim of the politically paranoid era than any creative deficiency on her part). Her arms snaking above her head as she ran down the list of capitalist concessions that fail to satisfy, Madonna looked exceptionally invested during this glitchpop gem - probably because this is one throwback song she hasn’t delivered ad infinitum.
That fresh, loose (okay, loose for a notorious control freak like Madge) attitude permeated most of her Madame X songs -- which were the lion’s share of the setlist. Naturally, that was bad for anyone expecting a greatest-hits parade, but excellent for those open-minded enough to turn off their phones, their expectations and allow an artist they trust and adore the freedom to indulge in what’s getting her off at the moment.
After moving to Lisbon for her son’s soccer aspirations, she’s currently inspired by the music she heard there: Fado, morna, salsa and more. Aside from playing the Madame X tracks that dabble in those genres, her non-album original song “Welcome to My Fado Club” (mashed-up with “La Isla Bonita”) gave her a chance to moonlight as the beguiling hostess of a hole-in-the-wall Latin club, which - considering her affection for Golden Era Hollywood - is certainly within her wheelhouse. But unlike most ‘40s productions on a Beverly Hills lot, Madonna bothered to include the authentic talents she was paying homage to, bringing out Gaspar Varela, the grandson of fado singer Celeste Rodrigues (whom she sang with prior to the legend's 2018 passing), for several numbers, in addition to an all-female orchestra from Cape Verde for her rousing, thunderous Madame X highlight “Batuka.”
“I’m not worried about being popular,” Madonna told the crowd (which, to be fair, was hanging on her every word) near the end of the show. For the Madame X Tour, she means it. At BAM Thursday night, the would-be soccer mom was free of setlist demands, time constraints (she took the stage late and skillfully bantered with the audience as long as she felt like it) and the impersonal glow of an arena-full of cell phones desperate to capture a 30-second snippet for a social account.
The Madame X persona might be a spy, a teacher, a saint, a whore, a cha cha instructor and a mother, but she’s also something not listed in the album lines notes - she’s a more authentic version of Madonna Veronica Louise Ciccone than we’ve seen on stage in some time.
3 shows into Madame ❌ and Ive enjoyed every minute of this intimate experience! I ♥️ Looking into the audience and not seeing Iphone’s and cameras flashing but instead-eyes, smiles and happy human faces. However I am mystified and confused by some... https://t.co/svbt9Mvtwq pic.twitter.com/lj9LPLtJIR— Madonna (@Madonna) September 19, 2019