'Obviously it's huge for us,' Moxey tells Billboard.com. 'We have both the producer and the top-line writer; that's 100% share.'
The mid-tempo, four-on-the-floor party track is a tougher take on the style of Madge's 2005 effort, 'Confessions On A Dancefloor,' produced by Stuart Price: It's undeniably dance, but with stronger electro than house markings. ('MDNA' in totality will probably be more diverse, featuring the production of disco house champion Martin Solveig on four tracks, and the darker, trance-ier William Orbit on five.)
Moxey traces the song's beginning back to early 2011, when Ultra Records artist Benny Benassi was preparing to release 'Electroman,' his fourth studio album. Moxey thought his aggressive style would 'work well with some of the major American superstar artists,' so he requested additional tracks from Benny and his longtime production partner, Ale (Alejandro) Benassi, also his cousin.
Moxey selected a few tracks and shared them with Jenson Vaughan, a young top-line writer based in Vancouver. Vaughn had done extensive work with U.K. producer Ian Carey, on collaborations with artists like Timbaland, Kelly Rowland and Snoop Dogg. 'I was really attracted to his lyrics,' says Moxey, 'and I feel Benassi in my bones, because those bass-driven tracks are so inspiring. It's a bit like cooking, like, 'Ooh, what would this sound like together?''
Vaughn returned a demo just a week later, which Moxey shared with Benassi's European co-manager Paul Sears, who in turn sent it to Guy Oseary, Madonna's manager. Soon, the Benassi boys were on their way to London (from their home of Parma, Italy) to record with Madonna. 'She loved them,' reports Moxey. 'Benny is such a quality person; I think that made it all flow so much easier.'
Two tracks from that session - 'Girls' and 'I'm Addicted' - made it onto 'MDNA,' with 'Girls' opening the album.
'A brilliant way to have hits is to create hits,' says Moxey. 'When you have very talented people around you, you just make the introductions, and maybe give them some direction. It's the essence of the A&R process, but it's so natural - it's not contrived.'
Looking toward the release of the 'GGW' video, Moxey says he isn't concerned with a reported lawsuit from Joe Francis, creator of the 'Girls Gone Wild' series of co-ed flasher videos. 'When I looked at ASCAP, I noticed there were approximately 50 records called 'Girls Gone Wild,'' he says. 'This guy just thinks too much of himself.'
From Billboard.com












i'm an american and a longtime fan of Madonna and i love everything she does. i agree that radio stations just want hip hop and really its all starting to get BLASE i mean madonna constantly one ups herself and changes the game.
Posted by: Michael Higginbotham | Tuesday, 28 February 2012 at 01:50 AM
hope radio plays it - gonna need girls/women to request this though.....most radio stations reject the guys requesting Madonna. So all you "girls gone wild", please request to your radio station!
Posted by: James | Monday, 27 February 2012 at 11:19 PM
its because many US listeners are haters of Madonna and they are so limited in terms of their choice in music. they just stick around with rap and r&b. no innovation at all.
Posted by: James | Thursday, 23 February 2012 at 12:00 AM
I hear it's because the radio stations refuse to play her songs.
Posted by: Ivor | Wednesday, 22 February 2012 at 09:41 PM
sounds like a fun song, too bad it won't be a hit (in the USA) besides on the dance charts. No matter how good Madonna is, she can't seem to get huge hits in the USA anymore.
Posted by: jo | Wednesday, 22 February 2012 at 06:07 PM